Most drawings only require a few minutes to benefit from the exercise.Īny mark-making tool can be used, but pens, markers, and graphite pencils are most commonly used. A sketchbook could be filled with them in a matter of days. A contour drawing is done when the artist looks intently at the EDGES of an object, but rarely looks at the paper while the pencil moves. Put simply, a contour line drawing is an 'outline drawing,' that uses no shading. Simple line drawings such as these can be created in any environment and do not require a hefty time investment. The contour describes the outermost edges of a form, as well as dramatic changes of plane within the form. As artists, we need to spend a bit of time in practice to further develop our drawing skills. While focused mostly on describing the contours, shadows and form can also be communicated depending on the approach taken.Īside from the fact that a continuous line drawing can be a work of art in its own right, it is also a worthy drawing exercise for developing hand-eye coordination and observation skills. Although mostly created as an exercise, many continuous line drawings can stand on their own as finished works of art.Īs an exercise, continuous line drawing forces the artist to closely observe the perceived lines of the subject. Autonomous, or independent, drawings, as the name implies, are themselves the ultimate aim of an artistic effort therefore, they are usually characterized by a pictorial structure and by precise execution down to details.A continuous line drawing is one in which a single, unbroken line is used to develop the image. Not until the late 14th century, however, did drawing come into its own-no longer necessarily subordinate, conceptually or materially, to another art form. With sinopia-the preliminary sketch found on a layer of its own on the wall underneath the fresco, or painting on freshly spread, moist plaster-one reaches the point at which a work that merely served as technical preparation becomes a formal drawing expressing an artistic intention. Long before the appearance of actual small-scale drawing, this procedure was much used for monumental murals. Such preliminary sketches may merely indicate the main contours or may predetermine the final execution down to exact details. As shown by an increasing number of findings and investigations, drawings form the material basis of mural, panel, and book paintings. Essentially, every painting is built up of lines and pre-sketched in its main contours only as the work proceeds is it consolidated into coloured surfaces. Similarly, points and lines marked on a raw stone block represent auxiliary drawings for the sculpture that will be hewn out of the material. Thus, the usefulness of a ground plan drawing of a building that is to be erected decreases as the building goes up. Often the drawing is absorbed by the completed work or destroyed in the course of completion. Archival footage supplied by the Internet Moving Images Archive (at ) in association with Prelinger Archives See all videos for this articleĪlthough not every artwork has been preceded by a drawing in the form of a preliminary sketch, drawing is in effect the basis of all visual arts. Georgette Seabrooke in an excerpt from A Study of Negro Artists, a silent film produced by the Harmon Foundation and released in the 1930s that features many artists active during the Harlem Renaissance.
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